29 September 2009

amazing gorgeous fashion shoot by tim burton for harper's bazaar


enjoy the pure amazingness of it all.















notice tim himself in the 8th photo.



http://www.harpersbazaar.com/fashion/fashion-articles/tim-burton-halloween-fashion-1009?click=try
check the site for clothing credits
styled by: tim burton
photos by: tim walker

is proper grammar dying?


they're actually taking hyphens out of words, officially, because ppl don't know how to properly use them! don't you think we should be upping our grammatical standards instead of lowering them? or is this just something that only i find unsettling... (i realize i have a problem with capitalization, but that is only bc i am lazy. otherwise, i am a spelling and grammar fiend!)


Thousands of hyphens perish as English marches on

By Simon Rabinovitch

LONDON (Reuters) - About 16,000 words have succumbed to pressures of the Internet age and lost their hyphens in a new edition of the Shorter Oxford English Dictionary.

Bumble-bee is now bumblebee, ice-cream is ice cream and pot-belly is pot belly.

And if you've got a problem, don't be such a crybaby (formerly cry-baby).

The hyphen has been squeezed as informal ways of communicating, honed in text messages and emails, spread on Web sites and seep into newspapers and books.

"People are not confident about using hyphens anymore, they're not really sure what they are for," said Angus Stevenson, editor of the Shorter OED, the sixth edition of which was published this week.

Another factor in the hyphen's demise is designers' distaste for its ungainly horizontal bulk between words.

"Printed writing is very much design-led these days in adverts and Web sites, and people feel that hyphens mess up the look of a nice bit of typography," he said. "The hyphen is seen as messy looking and old-fashioned."

The team that compiled the Shorter OED, a two-volume tome despite its name, only committed the grammatical amputations after exhaustive research.

"The whole process of changing the spelling of words in the dictionary is all based on our analysis of evidence of language, it's not just what we think looks better," Stevenson said.

Researchers examined a corpus of more than 2 billion words, consisting of full sentences that appeared in newspapers, books, Web sites and blogs from 2000 onwards.

For the most part, the dictionary dropped hyphens from compound nouns, which were unified in a single word (e.g. pigeonhole) or split into two (e.g. test tube).

But hyphens have not lost their place altogether. The Shorter OED editor commended their first-rate service rendered to English in the form of compound adjectives, much like the one in the middle of this sentence.

"There are places where a hyphen is necessary," Stevenson said. "Because you can certainly start to get real ambiguity."

Twenty-odd people came to the party, he said. Or was it twenty odd people?

Some of the 16,000 hyphenation changes in the Shorter Oxford English Dictionary, sixth edition: 
Formerly hyphenated words split in two:

fig leaf

hobby horse

ice cream

pin money

pot belly

test tube

water bed

Formerly hyphenated words unified in one:

bumblebee

chickpea

crybaby

leapfrog

logjam

lowlife

pigeonhole


touchline

waterborne

AD LOVE: oliver peoples


spectacles company oliver peoples 2010 ad campaign features the always gorgeous shirley manson, from the band garbage, and actor elijah wood, who's actually looking quite fierce here...

i love the riley with the flip-up sunglasses on elijah in the first photo and the dannie on shirley in the fourth. hawt. really craving some new glasses now...


boys don't make passes at girls who wear glasses? ummm... i think they're wrong.


http://www.oliverpeoples.com/index.php/site/detail/announcing_the_2010_campaign/

27 September 2009

lip-dub video: "i gotta feeling"

music by the black-eyed peas.
really sweet lip-dub video by 172 communications students from UQAM in Quebec in 2h15!




apparently the lip-dub thing is a real craze, at least in canada! love it.

quotable: dan brown

from the lost symbol:

"From the Crusades, to the Inquisition, to American politics- the name Jesus has been hijacked as an ally in all kinds of power struggles. Since the beginning of time, the ignorant had always screamed the loudest, herding the unsuspecting masses and forcing them to do their bidding. They defended their worldly desires by citing Scripture they did not understand. They celebrated their intolerance as proof of their convictions. Now, after all these years, mankind had finally managed to utterly erode everything that had once been so beautiful about Jesus."

21 September 2009

weird, yet sweet commercial

such a peculiar commercial, but really sweet too... :)

have you ever seen such a creature???!!!


it's a mexican axolotl!!! what a strange creature!!!

it is a type of salamander that spends its whole life in larval form. it also can re-grow its own limbs and are popular as pets! however, there are estimated to be fewer than 1,200 axolotls in the wild, mostly in the xochimilco region of the mexican central valley.

if you want to read more about this lil cutie, the bbc has a full article.
http://news.bbc.co.uk/earth/hi/earth_news/newsid_8220000/8220636.stm

twilight corn maze???


ummmmm... some ppl may have a liiiiiittle too much time on their hands to showcase their fanatical twilight fervor. taylor lautner's face in a corn field supporting team jacob...


although in all fairness, there is a team edward maze next to it, but it's smaller.

                           


tennis anyone?

i won't even pretend that i watch tennis on a regular basis, or that i watched the us open, but i caught the highlights and even for a non-sporty spice like me, this was pretty stinkin cool... :)

20 September 2009

xmas list: lara miller

my second recommended designer for awesome xmas gifts is lara miller. lemme tell ya, this girl is super-cool and suuuuuper eco-friendly and we LOVE that! she is also a SAIC grad and is helping the chicago fashion industry in a big way! i'll just reference her site, bc she says it best herself!

i'll just reference her site, bc she says it best herself!



Fashioned from eco-friendly fibers such as organic cotton, hand-loomed bamboo, hemp and vegan silk, Lara's modular designs are created with a playful geometry that connects to the personalities of the women who wear them. Most garments can be wrapped, reversed, and most distinguishably flipped to reveal an entirely different look.


Acknowledging the impact that we all have on our environment, Lara aspires to preserve and respect our earth in every way possible. "I see my company as a way to support my community - not only by using organic materials while adhering to a “green” lifestyle and workspace - but also by manufacturing locally and working to sustain the sewn products industry in Chicago." 



these pieces are GORGEOUS and will become staples in your closet, not just disposable fashion. there are quite a few pieces on my wish list, but the first would be the "hudson dress" because it's so cute and versatile. you can create a few different dresses and only buy one piece!!! and it's simple and classy too. and like miss coco chanel said: "a girl should be two things: classy and fabulous." lara and her designs encompass those wise words completely.  


just this week, lara showed for the first time at NEW YORK FASHION WEEK! she was a featured designer at the GreenShows Eco-Fashion Week. how cool is that??!! this just goes to show you that wearing "green" clothing no longer means hemp sacks and hippie garb. green is the new black kids! it's very exciting. lara was also featured on oprah.com. chicago love!!!
http://www.oprah.com/article/style/fashion/20090914-orig-lara-miller


visit lara's site to see all her gorgeous work: http://www.laramiller.net/


you can join her group on facebook too! http://www.facebook.com/group.php?gid=7938938929&ref=ts


photo credits: helen berkun




LARA'S NYFW RUNWAY SHOW!!! S/S09

music! daniel bovie & roy rox ft. nelson "love me"

dance! dance! dance!

14 September 2009

ONE campaign

HEY FRIENDS!!! 

remember that spirit of caring and sharing i posted about in my xmas list intro? here's a super-simple way to help out other ppl around the world--- join the ONE campaign!!!

currently they are petitioning to have the next G20 summit held in an african country to more prominently focus on the role africa can and must play in any successful global economic recovery.

just click and put your name on the list as well! trust me, they are not annoying and don't send you things every stinkin day, but they do send very important e-mails when your signature of support can make a difference.


Subject: Send the G20 to Africa


Hi,


I've just taken action with ONE and asked the leaders of twenty of the world's wealthiest and most powerful nations to hold an upcoming G20 Summit in Africa, to focus the world's attention on how Africa can and must be part of any successful economic recovery.


I hope you'll join me: http://www.one.org/us/g20toafrica/index.html?rc=g20toafricataf


The nation hosting a G20 summit helps set the agenda, and bringing the G20 to Africa would focus the world as never before on this market of 1 billion people. And, with world leaders headed to Pittsburgh for a summit at the end of this month, now is the perfect time to ask them to look to Africa for one of their next meetings.


http://www.one.org/us/g20toafrica/index.html?rc=g20toafricataf


Together as ONE, we can make a difference.


Thanks!

  you can even use this handy pre-written e-mail to pass the news along. how nice are you, eh? 

xmas list: anna hovet


for my first xmas list suggestion, i'm introducing my girl, anna hovet. anna and i went to school together at the school of the art institute of chicago. she is a very talented designer and started her company this year. her f/w 08 collection is out now and her s/s 09 will be shown in chicago very soon. 


anna's clothes are super-cool and very wearable. most of her pieces are reversible, which is a twofer!!! this is not just your regular sportswear. she designs with a street edge so you know you'll look like the coolest kid on the block. her jackets are so cute and her leggings are killer.





anna's clothes are sold at akira in chicago and picky girlz in grand forks, north dakota (no, that's not so random, she's from north dakota! you should hear her accent... oh for cute. lol.)


they are also sold on her site: www.annahovet.com










anna was recently featured in the september issue of lucky magazine. HOW FREAKING COOL IS THAT???!!!

join her group on facebook! 
http://www.facebook.com/group.php?gid=102314240155


picture notes: jennifer hudson, yes the dreamgirl, has worn the "debra" jacket shown and the grey leggings, oh yeah, those are the "erin" leggings. ;) naturally i'm proud...

photo credits: rachel hanel. model: megan lewis.

xmas list: intro

so yeah, i'm already thinking about what i want for xmas. why? bc i like presents. i like giving presents and i like getting presents. so, i'm thinking about what i really want this year.

i will admit: i am usually spoiled with a TON of nice things. i'm a very fortunate girl.

but lately i've been cleaning and clearing and realizing how much STUFF i have that i simply do not need. not only does this effect the amount of space i have in my room (not much) but it makes me think about the effect my consumption has on the environment. i recycle like a fiend and i donate all my unwanted things to goodwill, so they can be reused and not thrown away.

>>>what if i just started out with less?<<<

now, those who know me know that this is not something i am usually a fan of... i'm a MORE IS MORE kind of girl. especially when it comes to clothes, shoes, accessories, EVERYTHING. but i am trying to be a more mindful consumer. not only is this beneficial to my pocketbook (ugh! recession! hate it!) but this also makes for more interesting purchases, really.

so, what i suggest this year, is for people to make more interesting purchases. no more abercrombie or bebe or whoever the kids are in to these days. try supporting small or local designers. these ppl are working their asses off to try and get their vision out to the world. it is NOT EASY if you're not a huge conglomerate company with millions upon millions of dollars in backing. plus the designs are soooooooo much cooler and will last longer than one season. these will become permanent wardrobe pieces. 
you will look much more chic and original.

secondly, maybe you love to shop and want to buy lots of gifts. that's cool too! i'm not hating!
why don't you try buying gifts that will in turn make contributions to charitable efforts? there are so many products that will donate a percentage of the cost, so do a google search! 
want to support breast cancer? clothe the homeless? feed the needy?
all doable AS YOU SHOP for awesome things! isn't that beautiful? i love multi-tasking...

a third idea is to try and be as earth friendly as possible. this starts with the gifts themselves and go all the way to the wrappings. there are plenty of designers and companies that create things that won't hurt mama earth in the process and that's super awesome!

who wants to hurt mama earth?! certainly not me...

on the earth friendly vibe, you can create your own gifts. what if you repurposed an old stretched out sweater in to an awesome cardigan for a friend? find an old shirt and specially embellish it. 
you can even go to goodwill to get your materials!

REDUCE REUSE RECYCLE PPL!!!

plus it's fun being creative! and generally speaking--->CHEAPER!
ppl love getting homemade things. you know how your mom still has your finger paintings from the first grade? it's like that. ppl will love seeing that you took the time and effort to make something 
especially for them. 
maybe you're learning how to knit. what's nicer for a friend than a snuggly scarf in their favorite color? warm and thoughtful. 
maybe you aren't so creative with your hands... a framed poem or note will touch a person's heart more than a pair of khakis from the gap...

it's about appreciating what you have, both materially and emotionally. i think that's kinda like the spirit of christmas or something? let's de-commercialize xmas, k?

so, in order to be helpful, i will be posting things that i find and like (a lot of which is already on my xmas list!) in order to help you make conscientious purchases this holiday season.

remember, it's not how much you buy someone (unless you have multiple kids, then the rule generally is to buy even amounts of presents for each kid. we count...) it's the thought you put in to the present, considering the person for whom you are buying and the product itself.

please enjoy my suggestions and if you have some of your own, let me know!

12 September 2009

mixtape: space cowboy's dj chart fo' that ass!



Groove, Slam, Work It Back...


1.Nadia Oh - 'Hot Like Wow'


2.Lady Gaga 'Starstruck' feat Space Cowboy and Flo-Rida


3.Space Cowboy feat Chelsea Paradiso 'Falling Down' remixx


4.Paradiso Girls 'Patron Tequila''


5.Dj Diamond Kuts & Ron Browz 'Strippin In The Club'


6.Spinerettes 'Sex Bomb'


7.MSTRKRFT ft John Legend 'Heartbreaker' Laidback Luke remix


8.Birman and Lil Wayne 'Always Strapped'!.


9.Jeramiah 'Im A Star'


10.The Temper Trap Sweet Disposition' Axwell remix


11.Frankmusik 3 Little Words'


12.Lil Wayne feat Pharell 'Yesss'


13.The Twelves 'Take On Me'


14.The Dream 'Walkin on the Moon'


15.Crookers, Wiley and Thomas Jules 'Businessman'.'


16.Far East Movement 'Girls on the Dancefloor'


17.Dj Chuckie 'Let The Bass Kick' Jermaine Dupri remix 

the history of cute picture poses

a fun little mockumentary.

creepy or awesome?

11 September 2009

TCM's 15 favorite trendsetting classic films

turner classic movies


1. PANDORA'S BOX (1929)


Louise Brooks once said, "A well dressed woman, even though her purse is painfully empty, can conquer the world." That could have ben the motto of Lulu, the role that made her a fashion icon for the ages. Brooks had been wearing her famous Buster Brown haircut and dressing in the height of flapper fashion for years, as had many other actresses, but her sleek hairdo and half-naked beaded gowns were such a perfect match for the amoral charmer in PANDORA'S BOX they remain one of the screen's most enduring images. The look would prove just as lucky for Cyd Charisse and Melanie Griffith, who copied it for their star-making roles in "Singin' in the Rain" and "Something Wild," respectively. And in many countries the severe black bob that led critic Kenneth Tynan to call Brooks "The Girl in the Black Helmet" is still referred to as "the Lulu."



2. LETTY LINTON (1932)


Joan Crawford and the designer Adrian were a match made in fashion heaven. The young designer helped shape the images of such MGM queens as Norma Shearer, Greta Garbo and Jean Harlow, but it was his work on this 1932 romance about a woman fleeing a disastrous love affair that showed Hollywood just how much influence it had on the way women dressed. His designs were tailored to show off each star's personality and her best physical features. For Crawford he created a no-nonsense look that, while maintaining her femininity, accentuated her athletic shoulders. When he put her Letty in a white organdy dress with shoulder ruffles, official copies and knock-offs sold to more than a million women. And the broad-shouldered power suits he designed for Crawford created a national rage for shoulder pads that would be forever associated with the star. Little wonder Edith Head once called LETTY LYNTON the greatest influence on fashion in film history.



3. IT HAPPENED ONE NIGHT (1934)

The King gave, and the King took away--at least where men's     clothiers were concerned--in this classic screwball comedy. When Clark Gable had trouble keeping up the pace while removing his undershirt in the famous "Walls of Jericho" scene, director Frank Capra suggested he just remove his shirt to reveal a bare chest. The scene was so sexy, men stopped buying undershirts, leading to a rumor that one underwear manufacturer had tried to sue Columbia Pictures. As if to make up for it, the clothes he did wear in the film--Norfolk jacket, V-neck sweater and trench coat--rose in popularity as men around the nation imitated Gable. After the film took off at the box office, Gable decided that trench coats were his good luck charm and wore them in any film he could.


4. PAT AND MIKE (1952)

There really isn't a single Katharine Hepburn film that established her impact on fashion, but this 1952 comedy about an athletic coach breaking into pro sports is the perfect embodiment of her liberating image. From her arrival in Hollywood, Hepburn defied convention and, for some, morality by dressing like a man, claiming her high-waisted trousers, pantsuits, men's shirts and loafers were simply more comfortable. The look fit the feisty, independent characters she played to perfection, revolutionizing fashion by freeing women for more active lives with a greater range of choices. So great was her influence, that in 1986 the Council of Fashion Designers of America honored her with a special award. Never one to take herself too seriously, she accepted with a quip, "We're in a pretty serious spot when the original bag lady wins a prize for the way she looks."


5. REAR WINDOW (1954)

The meeting of clotheshorse Grace Kelly and legendary designer Edith Head was sure to produce fashion magic. This Alfred Hitchcock classic established the Grace Kelly look--understated elegance in stark contrast to the florid, oversexed Hollywood designs of the '50s. With Kelly perfectly cast as a fashionable socialite, Head was able to create haute couture designs that didn't seem out of place for everyday wear. From a pale green skirt suit with unfitted jacket to the floral print dress with multiple crinolines that highlighted Kelly's vulnerability at the film's climax, they taught '50s working women how to be chic, and a new fashion icon was born. Kelly's little square overnight bag even prefigured the "Kelly Bag" that Hermès would eventually name for her.


6. REBEL WITHOUT A CAUSE (1955)

Fashion would have been the furthest thing from Jim Stark's (James Dean) mind when he donned a t-shirt and red jacket for a night of trouble. Thanks to Dean's smoldering presence in REBEL WITHOUT A CAUSE, however, the two items became essential items for any self-styled rebel. Dean's growing popularity convinced Warner Bros. to shoot the film to color, rather than black and white. Director Nicholas Ray and costumer Moss Mabry decided that a red jacket, not brown, would help the character stand out (some sources credit Dean with the idea). Whoever thought it up, this piece of clothing became, as Variety editor Robert Hofler has described it, the symbol of "a generation's despair."


7. AND GOD CREATED WOMAN... (1956)

When Brigitte Bardot sunbathed wearing neither clothes nor the slightest hint of self-consciousness in AND GOD CREATED WOMAN. . ., a new kind of sex symbol was born. Her totally innocent, super-charged sensuality launched her career as the "sex kitten," a sexual rebel whose free-wheeling approach to romance anticipated the hippie era of free love. And when she wore clothes, she had the wardrobe to match. The bikini had been around for years, but didn't become an international sensation until she wore one in this film. The ballet flats and open necklines (the latter dubbed "the Bardot neckline") that captured her sense of abandon on screen were soon the rage. And her tousled up-swept hair, dubbed choucroute (sauerkraut), remains the height of casual elegance.


8. AUNTIE MAME (1958)

When John Galliano debuted his new line for 2009 the combination of zany colors, exaggerated silhouettes and exposed undergarments had many commentators crediting Madonna as his inspiration, but the New York Times' Sameer Reddy placed the influence earlier--on Rosalind Russell's over-the-top costumes in the 1958 AUNTIE MAME. After decades of making some of the screen's greatest stars look fabulous, designer Orry-Kelly was ready to find the glamour in Mame's bohemian lifestyle. Russell's Mame Dennis lives and breathes fashion (some commentators have suggested the character resembles Vogue editor Diana Vreeland), and her wardobe continues to influence collections and inspire young people to take up careers in design . Ironically, Orry-Kelly's costumes weren't as influential in their time. In fact, back in 1958, the Australian-born designer didn't even score an Oscar nomination for what is now considered one of '50s Hollywood's most innovative wardrobes.


9. BREAKFAST AT TIFFANY'S (1961)


When Audrey Hepburn ate a Danish while gazing at Tiffany’s windows, the little black dress she wore became the crown jewel in any woman's wardrobe. Created by her favorite designer, Givenchy, it highlighted her slight figure with simple, straight lines. That wasn't the only fashion influence exerted by this classic 1961 comedy, one of the last films made with a sense of old Hollywood glamour. As ticket sales soared, so did sales of triple strand pearl necklaces, sleeveless dresses and oversized sunglasses. Fans even flocked to pet stores in search of orange tabbies like party girl Holly Golightly's beloved feline, Cat. The dress that was considered the height of elegance would continue to work magic even today: the original costume was recently auctioned off for over $900,000.



10. BONNIE AND CLYDE (1967)


Initially, Faye Dunaway wanted to wear slacks in BONNIE AND CLYDE, arguing that she'd need mobility for the getaway scenes. When she got a look at Theodora van Runkle's assembly of printed scarves, pencil skirts, knitted sweaters and bias-cut dresses, she not only changed her mind--the one-time model changed her entire approach to fashion. "… until I met Theodora, clothes...had just been part of the job," Dunaway once said. "She taught me how much fun it can be." That lesson reached everyday women, too, as the "gun moll look" took off, triggering a resurgence of retro chic. Even the lowly beret--once the sole property of Frenchmen and struggling poets--became a hot fashion item. Thanks to BONNIE AND CLYDE, the '30s look became a key element of 1970s fashion.



11. THE THOMAS CROWN AFFAIR (1968)

When Steve McQueen doffed his usual casual duds for tailored suits in this sexy 1968 caper film, the British Invasion hit U.S. menswear in a big way. The film's costume team turned to one of England's top tailors, Douglas Hayward, for an assemblage of three-piece suits with two-button jackets and suppressed waists that captured the character's affluence and set off the star's lean frame to perfection. Even the accessories--from his $2,250 Patek Philippe pocket watch to the blue-lensed tortoise shell Persol sunglasses--were meticulously chosen to create a timeless image of opulence. Although British menswear had already been showcased in films like "Goldfinger" and "Alfie," it was THE THOMAS CROWN AFFAIR that brought it to American stores and continues to inspire designers like Ralph Lauren and Tom Ford.


12. SHAFT (1971)

How do you let troublemakers know you're "the cat that won't cop out when there's danger all about?" By dressing like John Shaft, of course. Considered the first "blaxploitation film," SHAFT, mirrored the rise of urban chic among young working class African-Americans with former model Richard Roundtree. His wardrobe in the film captured the sleekness and empowerment behind the new styles. Three-quarter-length leather jackets and leather pants combined with turtlenecks and other tight knits made him a fashion icon, the ultimate "sex machine to all the chicks." Almost thirty years later Giorgio Armani would draw on the Shaft look with a collection inspired by the release of the 2000 remake, with Roundtree back as the original John Shaft and Samuel L. Jackson starring as his nephew.



13. ANNIE HALL (1977)


Diane Keaton didn't have to go far to help create a look that changed women's fashion in this Oscar-winning comedy: it originated in her own closet. Her eclectic style--mis-matched pieces of oversized men's wear, from floppy hats to baggy chinos, with a Ralph Lauren tie as the coup de gras--sent women running not to boutiques but to the neighborhood thrift shop. It also triggered the renewed popularity of women's slacks on a par with the craze created in the '30s by Marlene Dietrich and Katharine Hepburn Designer Ruth Morley was not sold on the idea initially and tried to nix it. When Keaton showed up for shooting it was director Woody Allen who insisted, "She's a genius. Let's just leave her alone; let her wear what she wants."



14. SATURDAY NIGHT FEVER (1977)


The ultimate fashion icon of the '70s was not of some charismatic actress or famous model. It was John Travolta in his white disco suit, pointing to the heavens in the poster for SATURDAY NIGHT FEVER. He originally wanted a black leisure suit until designer Patrizia von Brandenstein explained that white would catch the disco lights and help him stand out from the crowd. Stand out he did, and for one of the few times in fashion history, men came to the fore. The film inspired a flock of polyestered peacocks in form-fitting posing clothes with electric colors, open collars and a medallion dangling between carefully burnished pecs. Throw in a pair of platform shoes and a generous application of styling mousse, and you had a new type of glamour designed for working class kids who blew off steam at the local dance club and spent most of their income on ways to look good doing it.



15. FLASHDANCE (1983)


When the sweatshirt Jennifer Beals wanted to wear as welder-by-day/ dancer-by-night Alex Owens shrunk in the wash, a fashion craze was born. Designer Michael Kaplan had to cut off the top just to get it over her head, and the image it created on the film's poster swept the nation. Activewear was in, but not the kind worn on the playing field. Combining torn sweatshirts (specially cut by manufacturers) with leg warmers, spandex pants, headbands and hi-tops, FLASHDANCE fashion made young women everywhere feel as if they were headed to the nearest dance studio. And the feeling is coming back today as the '80s revival has generated new interest in the film, its leading lady and her trend-setting look.


03 September 2009

quotable: texts from last night


(786): I didn't realize how hung over I was until I rolled over and the world rolled over with me.

who i am jealous of today:

lourdes ciccone leon a.k.a. madonna's daughter lola

number 1: her mad dance skillz
number 2: her mad piano skillz
number 3: she gets to travel the globe with madonna
number 4: she gets to go to over-priced madonna shows for free
number 5: she's a wicked dresser

vid: lola practicing dance moves with the dancers for "give it to me", then playing piano on stage for "devil wouldn't recognize you", and finally dancing during the finally on stage during "give it to me", although this part is very hard to see.

laura ling and euna lee make first statement regarding events leading to capture







Hostages in the Hermit Kingdom

While covering human trafficking between North Korea and China, two American journalists wound up becoming the story.

WE ARRIVED AT the frozen river separating China and North Korea at 5 o'clock on the morning of March 17. The air was crisp and still, and there was no one else in sight. As the sun appeared over the horizon, our guide stepped onto the ice. We followed him.
We had traveled to the area to document a grim story of human trafficking for Current TV. During the previous week, we had met and interviewed several North Korean defectors, women who had fled poverty and repression in their homeland, only to find themselves living in a bleak limbo in China. Some had, out of desperation, found work in the online sex industry; others had been forced into arranged marriages. Now our guide, a Korean Chinese man who often worked for foreign journalists, had brought us to the Tumen River to document a well-used trafficking route and chronicle how the smuggling operations worked.
There were no signs marking the international border, no fences, no barbed wire. But we knew our guide was taking us closer to the North Korean side of the river. As he walked, he began making deep, low hooting sounds, which we assumed was his way of making contact with North Korean border guards he knew. The previous night, he had called his associates in North Korea on a black cellphone he kept for that purpose, trying to arrange an interview for us. He was unsuccessful, but he could, he assured us, show us the no-man's land along the river, where smugglers pay off guards to move human traffic from one country to another.
When we set out, we had no intention of leaving China, but when our guide beckoned for us to follow him beyond the middle of the river, we did, eventually arriving at the riverbank on the North Korean side. He pointed out a small village in the distance where he told us that North Koreans waited in safe houses to be smuggled into China via a well-established network that has escorted tens of thousands across the porous border.
Feeling nervous about where we were, we quickly turned back toward China. Midway across the ice, we heard yelling. We looked back and saw two North Korean soldiers with rifles running toward us. Instinctively, we ran.
We were firmly back inside China when the soldiers apprehended us. Producer Mitch Koss and our guide were both able to outrun the border guards. We were not. We tried with all our might to cling to bushes, ground, anything that would keep us on Chinese soil, but we were no match for the determined soldiers. They violently dragged us back across the ice to North Korea and marched us to a nearby army base, where we were detained. Over the next 140 days, we were moved to Pyongyang, isolated from one another, repeatedly interrogated and eventually put on trial and sentenced to 12 years of hard labor.
DURING OUR TIME in captivity, and in the weeks since we returned, there has been speculation about what we were doing in that part of the world and about what happened on the morning of the 17th. After arriving home, we were disoriented, overwhelmed and not ready to talk about the experience. There are things that are still too painful to revisit, but we do want to explain what took us to northeastern China and the circumstances of our arrest.
Our motivations for covering this story were many. First and foremost, we believe that journalists have a responsibility to shine light in dark places, to give voice to those who are too often silenced and ignored. One of us, Euna, is a devout Christian whose faith infused her interest in the story. The other, Laura, has reported on the exploitation of women around the world for years. We wanted to raise awareness about the harsh reality facing these North Korean defectors who, because of their illegal status in China, live in terror of being sent back to their homeland.
In researching the story, we sought help from several activists and missionaries who operate in the region. Our main contact was the Seoul-based Rev. Chun Ki-won, a well-known figure in the world of North Korean defectors. Chun and his network have helped smuggle hundreds of North Koreans out of China and into countries -- including the U.S. -- where they can start new lives. He introduced us to our guide and gave us a cellphone to use in China, telephone numbers to reach his associates and specific instructions on how to contact them. We carefully followed his directions so as to not endanger anyone in this underground world.
Because these defectors live in fear of being repatriated to North Korea, we took extreme caution to ensure that the people we interviewed and their locations were not identifiable. We met with defectors away from their actual places of work or residence. We avoided filming the faces of defectors so as not to reveal their identities. The exception was one woman who allowed us to film her profile.
Most of the North Koreans we spoke with said they were fleeing poverty and food shortages. One girl in her early 20s said she had been told she could find work in the computer industry in China. After being smuggled across the Tumen River, she found herself working with computers, but not in the way she had expected. She became one of a growing number of North Korean women who are being used as Internet sex workers, undressing for online clients on streaming video. Some defectors appeared more nervous about being interviewed than others. But they all agreed that their lives in China, while stark, were better than what they had left behind in North Korea.
We also visited a foster home run by a pastor who worked for Rev. Chun. The home housed six children born to North Korean women who were forced into marriage in China. The mothers had either been repatriated to North Korea or had abandoned their families. Because the children have Chinese fathers, it is unlikely they will be deported to North Korea. The foster home provides them with decent conditions, an education and hope for a better life.
In the days before our capture, our guide had seemed cautious and responsible; he was as concerned as we were about protecting our interview subjects and not taking unnecessary risks. That is in part why we made the decision to follow him across the river.
We didn't spend more than a minute on North Korean soil before turning back, but it is a minute we deeply regret. To this day, we still don't know if we were lured into a trap. In retrospect, the guide behaved oddly, changing our starting point on the river at the last moment and donning a Chinese police overcoat for the crossing, measures we assumed were security precautions. But it was ultimately our decision to follow him, and we continue to pay for that decision today with dark memories of our captivity.
AFTER WE WERE detained, the two of us made every effort to limit the repercussions of our arrest. In the early days of our confinement, before we were taken to Pyongyang, we were left for a very brief time with our belongings. With guards right outside the room, we furtively destroyed evidence in our possession by swallowing notes and damaging videotapes. During rigorous, daily interrogation sessions, we took care to protect our sources and interview subjects. We were also extremely careful not to reveal the names of our Chinese and Korean contacts, including Pastor Chun. People had put their lives at risk by sharing their stories, and we were determined to do everything in our power to safeguard them.
Our families and colleagues back home maintained total silence about our work for two full months, both to minimize the potential impact on sensitive underground work in China and to protect us. We were surprised to learn that Chun spoke with reporters publicly in the immediate aftermath of our arrest. Among other things, Chun claimed that he had warned us not to go to the river. In fact, he was well aware of our plans because he had been communicating with us throughout our time in China, and he never suggested we shouldn't go. Chun's public statements prompted members of our families to speak directly with him in Korean, pleading with him to refrain from any further comment that might jeopardize our situation and those of relief organizations working along the border.
After spending nearly five months in captivity, we were relieved to be granted amnesty by the North Korean government. We continue to cope with tremendous mental and emotional anguish, but we feel incredibly fortunate to be free and reunited with our families. We are forever indebted to the United States government, particularly to President Obama and Secretary of State Hillary Rodham Clinton, to former Vice President Al Gore and our colleagues at Current TV, to Swedish Ambassador Mats Foyer, and to former President Clinton and his team for taking on this private humanitarian mission.
WE can't adequately express the emotions surrounding our release. One moment, we were preparing to be sent to a labor camp, fearing that we would disappear and never be heard from again; the next we were escorted into a room with President Clinton, who greeted us and told us we were going home. We are grateful to the many journalists who kept our story alive. We are humbled by the tens of thousands of people who supported us, prayed for us and fought for our release.
At the same time, though, we do not want our story to overshadow the critical plight of these desperate defectors.
Since our release, we have become aware that the situation along the China-North Korea border has become even more challenging for aid groups and that many defectors are going deeper underground. We regret if any of our actions, including the high-profile nature of our confinement, has led to increased scrutiny of activists and North Koreans living along the border. The activists' work is inspiring, courageous and crucial.
Many people have asked about our strength to endure such hardships and uncertainty. But our experiences pale when compared to the hardship facing so many people living in North Korea or as illegal immigrants in China.
The outcome of our three-day trial was never in doubt. In the end, we were convicted and sentenced to two years for trespassing and 10 years for "hostile acts." What did we do that was hostile? We tried to tell the story of repression and desperation in North Korea. It's not surprising, given the North Korean government's desire to silence any form of dissent, that the more extreme portion of the sentence was issued not for trespassing but for our work as journalists. Totalitarian regimes the world over are terrified of exposure.
We know that people would like to hear more about our experience in captivity. But what we have shared here is all we are prepared to talk about -- the psychological wounds of imprisonment are slow to heal. Instead, we would rather redirect this interest to the story we went to report on, a story about despairing North Korean defectors who flee to China only to find themselves living a different kind of horror. We hope that now, more than ever, the plight of these people and of the aid groups helping them are not forgotten.
LAURA LING is a correspondent for Current TV and vice president of its Vanguard Journalism unit. EUNA LEE is a producer and editor for Current's Vanguard series. To see more of their work, go to current.com/vanguard.