Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
24 November 2010
23 November 2010
quotable: alice neel
"the minute i sat in front of a canvas i was happy. because it was a world, and i could do what i liked with it."
02 November 2010
quotable: marc chagall
"in our life there is a single color, as on an artist's palette, which provides the meaning of life and art.
it is the color of love."
it is the color of love."
21 September 2010
art! todd james
"bloody cape" 2010
gouache and graphite on paper
http://www.galeriajavierlopez.com/users/imagenes.aspx?i=i&id=
gouache and graphite on paper
http://www.galeriajavierlopez.com/users/imagenes.aspx?i=i&id=
25 August 2010
britney by murakami
britney spears on the cover of POP magazine styled by takashi murakami.
complete with smiling daisies and purikura accents.
12 July 2010
vid: oktapodi
2009 oscar nominated animated short film.
AD LOVE (kinda): at&t
i am *shocked* that at&t would use such a BLATANT christo and jeanne-claude reference for their commercial. it's so obvious, there is actually a disclaimer at the end of the spot.
"the artists christo and jeanne-claude have no direct or indirect affiliation or involvement with at&t."
23 June 2010
my dream car...
watch this awesome vid about pakistan's truck art.
really neat!
also, i really do want a vintage beetle... the paintings would be a bonus. ;)
10 March 2010
09 March 2010
ok go
ok, so everyone and their mother has been reposting this vid this week, but it really is amazing, so i'm putting it up too. an amazing rube goldberg tribute. shot in one take, coordinated to music across two stories of a warehouse. pretty freaking awesome.
they did one with the purdue marching band too and since i'm an indiana kid and a proud former band geek, i'm posting this one too. it's cute in it's own way.
check out more about rube here: www.rubegoldberg.com
quotable: jeff koons
"when i view the world, i don't think of my own work. i think of my hope that, through art, people can get a sense of the type of invisible fabric that holds us all together, that holds the world together."
also read: this interesting article
also read: this interesting article
this may only be funny if you went to art school...
09 February 2010
really neat felted soap
how neat is this stuff?!
The last time you lathered up with a hirsute showering buddy, you felt far from clean.
Wash away that lingering grossness with a new fuzzy friend: Fiat Luxe’s felted soap.
Wrapped in naturally antifungal wool, the fragrant bathing beauties act as cleansing agent and washcloth in one.
Energize with hand-grated amber resin from India, soothe skin with the vibrant calendula citrus blend, or refresh your senses with lavender buds.
As you scrub, the felt magically shrinks along with the soap, reshaping the miniature works of art. Once you’ve whittled your way down, simply slit the colorful casing and insert a new bar.
The result?
Sudsy balls you can’t wait to get your hands on.
from daily candy
peaches christ superstar
peaches + jesus christ superstar. yep. oh to be in berlin for this show!
Peaches Christ Superstar
Peaches Christ Superstar
featuring Chilly Gonzales
Premiere March 25th. Also running on the 26th and 27th March 2010.
Peaches, the bad girl of electro punk, and Chilly Gonzales, piano virtuoso and rap entertainer, will bring their unique, completely stripped version of “Jesus Christ Superstar” the rock opera, to the stage of HAU 1.
They'll narrate the story of the last week in the life of Jesus Christ – from entering Jerusalem until the crucifixion, using songs from the musical. Peaches will sing all roles including: Jesus, Maria Magdalena, the disciples and the Pharisees, alongside Gonzales' piano accompaniment. Don't miss this concert version of Jesus Christ Superstar by two extra-ordinary performers!
Peaches: “To perform Jesus Christ Superstar as a one-woman-song is a crazy enterprise. Very demanding and very difficult. When I was sixteen I often sang the whole musical to myself all alone in my room. It tells an entire story without spoken text, only with vocals, in the style of a rock opera. I’m a performer, my concerts are extravagant and play with exaggerations. This project allows me to do without all this. I want to confront this task totally exposed, because it is a possibility. It's a question of stamina.
When I told Gonzales about this crazy idea he replied: ‘I want to accompany you on piano.’ Until then, we didn’t know that we shared an obsession for this musical, and that secretly both of us already knew it by heart.”
A production by HAU
Ticket: 11 und 18 €, reduced for (Children, Students, etc.) 7 €
Box Office: 030-259004 27
HAU 2, Hallesches Ufer 32 (12 – 19 Uhr)www.hebbel-am-ufer.de
http://peaches.fanbridge.com/campaigns/show.php?id=592234&src=myspace
Ticket: 11 und 18 €, reduced for (Children, Students, etc.) 7 €
Box Office: 030-259004 27
HAU 2, Hallesches Ufer 32 (12 – 19 Uhr)www.hebbel-am-ufer.de
http://peaches.fanbridge.com/campaigns/show.php?id=592234&src=myspace
07 February 2010
artsy news: the superbowl bet
so, since the colts lost, the indianapolis museum of art will be loaning joseph turner's "the fifth plague of egypt" to the new orleans museum of art. had we won, NOMA would have loaned claude lorrain's "ideal view of tivoli". apparently there is going to be quite a big space on the wall at the IMA, as the turner was prominently placed... full story below


Sports and art don’t usually mix. But this year, on Super Bowl Sunday, they will.
Two directors from Super Bowl contender city art museums–the New Orleans Museum of Art and the Indianapolis Museum of Art–are getting in on the Big Game by wagering major art loans on the outcome of the Saints-Colts matchup.
The bet, just finalized this afternoon, is this: If the Colts win, IMA will get a three-month loan of NoMA’s 1644 painting “Ideal View of Tivoli” by Claude Lorrain, a French artist considered the father of landscape painting. If the Saints win, NoMA will get to borrow IMA’s Joseph Turner oil painting “The Fifth Plague of Egypt,” for three months. Both works are now hung prominently in their respective museums.
“There’s going to be a big hole in the wall if it has to go south,” says IMA director Maxwell Anderson of the Turner painting.
Initially, Anderson kicked off betting by offering a painting by Ingrid Calame. But John Bullard, NoMA’s director, countered by calling it “insignificant.” He placed the museum’s $4 million Renoir “Seamstress at a Window” on the table, to which Anderson tweeted: “We’ll see that sentimental blancmange by that ‘China Painter’ and raise you a proper trophy.” (The “trophy” is a jeweled cup by Jean-Valentin Morel made of gold, emerald, rubies and sapphire that won the Gran Medal at the 1855 Paris World’s Fair.) Bullard rejected it, and in an interview called the piece “a gaudy tchotchke.”
At one point, Anderson asked for NoMA’s portrait of Marie Antoinette by Élisabeth-Louise Vigee Lebrun, which, via the museum’s Twitter account, Bullard said was “too fragile to travel, much like Favre,” a dig at the Vikings quarterback whom the Saints beat in overtime on Sunday.
The idea for the wager was spurred by arts blogger Tyler Green, who earlier this week tweeted and wrote on his Modern Art Notes blog that the two should make a bet on the Super Bowl. Anderson took the bait right away. “I thought it was a great way to get people who follow sports but don’t necessarily consider arts at the top of their agenda to pay attention,” he tells Speakeasy.
Naturally, both museums are convinced that they won’t need to bust out the packing materials and spackle come Super Bowl Sunday. Anderson says he’s already spoken with his curator of early European Art and determined where the Claude Lorrain painting will hang. “We’re in full battle cry, preparing for the glorious arrival,” he says.
Bullard says New Orleans is looking forward to the potential loan. “We’re the magic team this year,” says Bullard of the Saints. “I’m absolutely confident.”
from: http://blogs.wsj.com/speakeasy/2010/01/27/art-musuems-make-a-super-bowl-bet/tab/article/
original bet post: http://www.artsjournal.com/man/2010/01/super_bowl_loan_challenge.html
05 February 2010
the most amazingly awesome pet sculptures ever.
fine art needle felted pet portraits sculpted in wool by amelia santiago. personalized to your pet based on photos that you send her. i gotta say, i was weirded out at first cuz it looks kinda taxidermy-ish, but now i love them. your very own 3-D pet portrait. check her out here: http://www.dogartportraits.com/ for a verrrrry interesting gift! fabulous.


if your pet has a special toy or accessory, she can add that too!
she also makes cats, bunnies and horses! brillz!


if your pet has a special toy or accessory, she can add that too!
she also makes cats, bunnies and horses! brillz!
04 February 2010
artsy news: woman collides with a picasso
un-freaking-believable. is she banned from the museum now? embarrassment will probably keep her from ever going back!!! poor girl... forgot to post this earlier. sorry. totally old news now. ;)
On [January 22] a woman taking an adult education class at the Metropolitan Museum of Art accidentally lost her balance and fell into “The Actor,” a rare Rose Period Picasso, tearing the canvas about six inches along its lower right-hand corner.
Immediately after the accident the painting was taken to the Met’s conservation studio so experts could assess the damage, museum officials said. A statement released by the Met on Sunday afternoon said, “The damage did not occur in the focal point of the composition and the curatorial
and conservation staffs fully expect that the repair —which will take place in the coming weeks — will be unobtrusive.”
and conservation staffs fully expect that the repair —which will take place in the coming weeks — will be unobtrusive.”
The canvas — about 6 feet by 4 feet — was hanging on the wall of a second-floor gallery with other early Picassos. The museum declined to identify the woman, but said she was not injured.
Picasso created the painting, which depicts an itinerant acrobat theatrically posed, during the winter of 1904-5. Museum officials said they expected the repair to be completed in time for “Picasso in the Metropolitan Museum of Art,” an exhibition of some 250 works from its collection opening on April 27.
http://artsbeat.blogs.nytimes.com/2010/01/24/woman-collides-with-a-picasso/?hp
26 January 2010
artsy news: exhume leo?
Creative art historians have made a cottage industry out of trying to prove various theories about the Mona Lisa (she was the mistress of Giuliano di Medici!), her elusive smile (an optical illusion!), and even her health (she's pregnant!), but never has anyone gone to the macabre lengths proposed by a team of Italian scientists and art historians.In an effort to investigate an outside-the-box hypothesis that the famous portrait is actually a disguised self-portrait of da Vinci, the group has requested permission to open the Renaissance master's tomb and use his skull to "rebuild Leonardo's face and compare it with the Mona Lisa," anthropologist Giorgio Gruppioni told the Times of London.
Da Vinci's remains reside at Amboise Castle in France's Loire valley, where they were taken after the church where he was originally laid to rest was destroyed during the French Revolution. Thus far the scholars say the French government has agreed to allow the exhumation in principle, and that formal approval could be granted by this summer -- a prospect that has disquieted other Leonardo scholars who wonder if exploring the unusual theory is worth disturbing the artist's resting place.
However, supporters of the investigation point to similarities between the Mona Lisa's facial structure and that of the artist's own face as evidenced in a circa 1515 self-portrait, also citing da Vinci's homosexuality and interest in riddles as support for the conjecture. The undertaking would have tickled Marcel Duchamp. The keen wit behind L.H.O.O.Q. (1919), a reproduction of the Mona Lisa embellished with a mustache, the late Modernist icon had a cross-dressing artistic alter ego himself, Rrose Sélavy.
Da Vinci's remains reside at Amboise Castle in France's Loire valley, where they were taken after the church where he was originally laid to rest was destroyed during the French Revolution. Thus far the scholars say the French government has agreed to allow the exhumation in principle, and that formal approval could be granted by this summer -- a prospect that has disquieted other Leonardo scholars who wonder if exploring the unusual theory is worth disturbing the artist's resting place.
However, supporters of the investigation point to similarities between the Mona Lisa's facial structure and that of the artist's own face as evidenced in a circa 1515 self-portrait, also citing da Vinci's homosexuality and interest in riddles as support for the conjecture. The undertaking would have tickled Marcel Duchamp. The keen wit behind L.H.O.O.Q. (1919), a reproduction of the Mona Lisa embellished with a mustache, the late Modernist icon had a cross-dressing artistic alter ego himself, Rrose Sélavy.
about L.H.O.O.Q. cuz it's interesting...
L.H.O.O.Q. is a work of art by Marcel Duchamp first conceived in 1919. The work is one of what Duchamp referred to as readymades, or more specifically an assisted ready-made. Pioneered by him, the readymade involves taking mundane, often utilitarian objects not generally considered to be art and transforming them, by adding to them, changing them, or (as in the case of his most famous work Fountain) simply renaming them and placing them in a gallery setting. In L.H.O.O.Q.the objet trouvé (found object) is a cheap postcard reproduction of Leonardo da Vinci's Mona Lisa onto which Duchamp drew a moustache and beard in pencil and appended the title.
The name of the piece, L.H.O.O.Q., is a pun, since the letters when pronounced in French form the sentence, Elle a chaud au cul. "Elle a chaud au cul" literally translates into "She is hot in the ass". In a late interview (Schwarz 203), Duchamp gave a loose translation of "L.H.O.O.Q." as "there is fire down below" (in fact the term avoir chaud au cul is slang used in the sense of "to be horny").
article from artinfo.com
L.H.O.O.Q. info from wikipedia.com
31 August 2008
i've been remiss!!!!! sorry!!!
ok, so i have been slacking... BIG TIME! sorry to all my faithful fans. ;-) so this is kind of a long blog to make up for lost time. i have been going to every museum in this city, and taking hundreds of photos, so this is just a smattering of my faves from each place.
so, let's start with the louvre, which is the first i went to.
i started in the hall of the italian masters. it was a very crowded day, which is to be expected, but it was still fantastic nevertheless. i didn't note the artists names...
i liked this one bc of the clarity of the picture. it is very clean and precise. also, it is a profile of a woman, which is kinda different, bc you are supposed to capture women at a more flattering angle, three-quarter view, for instance.
i loved the colors in this one. so bold! also the figures are beautifully posed and painted. but mostly i liked the colors. actually, i may have just been distracted by the colors... it's nearly garish, all of them together, actually. hmmm... deep blogging thoughts...
after the italians, and doing a quick run past mona, i decided to stick to the egyptian wing, which is HUGE! you know how much i love ancient egyptian everything, so i was pretty excited. (pretty sure i was egyptian in a past life)
here is a cool gold statue. i liked the poses of the statues too bc they looked like they were walking down the runway... haha. sashay, sashay *snaps fingers with attitude*.
sorry, i know i am the only person who would think these ridiculous thoughts...
i think i may do an egyptian collection again...
this is some cool modern art the had in the nooks around the staircase. the artist's name is anselm kiefer and he is a german artist living in france. it is one of three pieces from the artist and they are the most recent pieces commissioned by the louvre from a living artist, so that's pretty cool. they were very interesting and definitely caught my eye.
this is a mummified ibis. isn't that cooool??? he even had his own little bird-shaped sarcophagus. crazy egyptians... lol.
this is a regiment of funerary statues. there were all different kinds, but these were the prettiest... :) i like the colors.
this is the wicked-cool mummy! check out those wrappings. fantastic! i even learned some stuff about mummies: the body is dried using natron, a substance similar to salt. it is then prepared with aromatics (cuz ya wanna smell nice when ur dead...) and unguents which darkened over time. this darkening was mistaken for the effects of bitumen. this is where the term mummy came from, which is derived from a persian and arab word meaning wax, bitumen, and embalming products. just one of erin's lessons of the day.
the louvre, as seen from under one of the glass pyramids.
la defense. it's so BIG! did we see this when we were last here? i don't remember... it is pretty cool because of its size but also bc it lines up on the "historical axis" with the arc de triomphe and the louvre. i was pretty close, so you can't see all of it, but you get a pretty good idea of the size of it all. massive.
palais garnier, the opera house. it still gets to me how all these huge, amazing buildings are stuck in the middle of a bustling city. the subway stop is directly in front of the building, so you come up the stairs and turn around and WHOA! ha, it's intense.
i went to the musee des arts et metiers, like a science and industry museum. it was pretty cool, very big. it starts with you know, the usual stuff, counting instruments, astronomical stuff, laboratory equipment, etc. the original machines that measured the speed of light and measured sound waves and whatnot. all very interesting. and then what do i stumble upon, but the cray-2 supercomputer. this is for you, mom and dad! hehe.
"second in a memorable line of supercomputers, the cray-2 was developed to process huge quantities of data, and therefore required considerable calculating power. of the series of 30 cray-2s delivered throughout the world from 1985, fourteen machines were still in service ten years later." (from the museum placard)
i, of course, loved all the glassworks. i mean, all the scientific instruments were cool and all, but this is just so pretty!!! it's all about aesthetics...
it was a perfect day for a museum, nasty weather out... rainy, rainy, rainy. would NOT STOP!!!
annoying.
after i left arts et metiers, i went to chapelle expiatoire, which is a national monument built on the site of the cemetery where louis XVI and marie-antoinette were buried after being guillotined. it is a small little temple, very plain but pretty. there are two statues on either side (one depicted below) and an altar in between. there are twin curving staircases (the building is circular) going down to the crypt, i guess you'd call it.
the tomb above is the only thing down there...
and theeeeennnnnn, i went to the gustave moreau museum. i had a very full day! that was much cooler than i had expected it to be! well, i didn't really know what to expect, exactly, but it was very nice. the first level is the actual apartment that he lived in which hasn't changed in over a century! there are works of his all over every wall space, as well as his own possessions and furniture, etc.
a close-up sample of his work:
the 2nd floor holds most of his large works and 1000s of drawings. moreau himself had the museum established and designed so that his works could be gathered and displayed the way he wanted. it was built at his expense on the very spot he lived and worked his whole life. he died two years after its completion.
one of the upper levels:
ok! a new day, another adventure... (this is the longest stinkin' blog ever...)
versailles!!! i'd been before, but i'd forgotten how AMAZING it is! it is so big and ornate and excessive and and and... haha. i don't even know what to say. around every corner turned there was another fantastic thing to see! it's just too much!
this is me in the hall of mirrors, which is still really freaking cool. i think if i went back a thousand times, it would still amaze me.
i was in pattern HEAVEN!!! i want my whole life to look like versailles! lol. well, maybe not evvvverything... it's all so rich and decadent and dense. it should be too much, but i love it. people just don't utilize patterns like this anymore! minimalism-shminimalism.
it's all about the prints people...
and sick chandeliers too.
LOUIS!!!!!!!!
the best tchotchke ever!
on the steps of the gardens of versailles ruling his domain.
then there were the amazing fountains in the gardens. as you can see, it was a puuur-fect day out. after seeing the fountains, i got an ice cream, which i dribbled alllll over myself (it melted so quickly!) and then i had a walk. i just kept going, barefoot along the canal and ended up walking all the way to the grand trianon. it's just ridiculous how disgustingly beautiful everything is there. and huge too! even trying to think of how much it all must have cost is out of my spectrum of thought!
after touring the grand trianon, i got lost somewhere in the gardens... not sure how exactly, but i was the ONLY person in viewing and hearing range. idk how i managed that. just really, really talented at getting lost i guess... haha. so i backtracked some and then took an alternate and eventually ended up at the petit trianon, which is where i was aiming for in the first place...
obviously, it was very beautiful here too since it was m-a's personal sanctuary and we all know she was the original queen of excess. (am i jealous? hmmm... well, she got her head chopped off, so i guess not.) this is the temple of love on the grounds. there is also the hamlet that was built for the queen and her children to enjoy some "quiet, simple country life". it is like a mini-disneyland... this chick had no grip on reality!!! haha... ahh, she was young though.
anywho, it all makes for a spectacular spectacle. so over-the-top. loves it.
i was exxxhausted after all that. i am surprised i made it home!
hey! another museum! awesome! hehe.
decided to check out the musee d'orsay again. it is still awesome. the building is beautiful and they had some great exhibitions going on. the first was a watercolor exhibition, which i actually enjoyed even though "aquarelle" (as they say) is not my fave medium. this was one of my fave pics from that exhibit. not a great pic though. but the technique was really beautiful.
my favorite watercolor was a very minimal and delicate painting of tree trunks in the woods by manet, but that is hard to appreciate from a photo...
there was an excellent photography exhibit titled: l'image revelee: premiere photographies sur papier en grand-bretagne (1840-1860). it was a really excellent collection of works. i don't know if it was the cameras of the time, or the developing methods, or what, but the photos all seemed very moody to me. There were also quite a few negative prints, which i loved. this on is by john murray called "suttee ghat, campore".
next was the impressionists. love them.
here's one of my faves from the one and only vinny van-g.
what's so fantastic about all these paintings are the brilliant brushstrokes. i won't bore you with all the close-up shots i took of the brush marks, but trust me, it is really quite striking.
the technique is something i'd like to work on. it adds such dimension to the paintings, both literally and figuratively. i was pretty stoked about all the works in this section.
this one is "l'eglise d'anvers". it is cool in this picture, but it doesn't capture the awesomeness well enough... the sky in this one is gorgeous!!!
this is edgar degas' "femme assise dans une baignoire". this is another beautiful example of brushwork, as well as a beautiful figure. degas really knew what he was doing with his women... so lovely.
i liked this one, even though it's a lot different from the others that i prefer. i like the composition, the floral wallpaper and also the detail of the flowers and vase.
i am probably boring all of you with all this talk...
the pictures really don't do these paintings justice.
you must come to paris and see them in person. they are truly stunning works of art.
ugh! am i done yet? lol...
this is the pantheon, which is interesting because its use has changed back and forth from a religious place dedicated to saint genevieve to a civic temple of the nation. it's also really big and has cool architecture. the paintings are painted on large canvases and then adhered to the stone walls. foucault's pendulum swings in the transept crossing.
really cute little boy focused on his photography. lining up his shot, and then checking his work.
statue "la convention nationale" by sicard.
after the pantheon, the sorbonne sent me on a wild goose chase around paris... and i STILL didn't get to sign up for my french class! oy.
so after wasting a LOT of time, i went to sainte-chapelle. it looks so plain and unremarkable from the outside, and i didn't really remember it from before and then BAM! whoooaaaa...
it's so gorgeous. why don't they make churches like this anymore??? it seems sooo...
idk. i can't find the right word. you just feel more. does that make sense?
there are 1,113 scenes depicted in 15 windows. it's so ridiculous.
then of course, there is the rose window.
ok ppl!!! only one more museum!!! :)
les arts decoratifs!!!
a very cool museum indeed. they had a huge valentino exhibit which was AHH-MAY-ZIING!!!
i took some prohibited photos...
his work is beyond beautiful. i don't even know what to say. he's brilliant. and the exhibition was really well curated and very thorough. soooooo pretty!!! and the detail and the technique...
i was in fashion shangri-la...
there are also two great jewelry rooms. gah! to die for, i tell ya. they had old stuff and new stuff and avant-garde stuff and everything!!! i want one of each. seriously. this pic came out particularly well. it is so beautiful and sculptural. needless to say, i spent a lot of time in that room and a lot of memory space on my camera...
this is just one example of the amazing furniture that was at the museum. we could be here for three days straight if i showed you every picture that i love...
this one is yummy and over-the-top and too much and i love it.
do you see a pattern here?
i think m-a and i could have been bff. like, omg... (lol)
ahhh contemporary art... most of the time even i do not understand it... this is from the exhibit "jeux d'eau (water games)" by gerard deschamps. "gerard deschamps often resorted to toys, humor and childhood iconography in his compositions. he transformed these vividly colored and florescent plastic objects with childlike motif into figurative and abstract works, playfully criticizing our consumer society." (from the exhibit brochure)
so, do you get it?
ahhhhhhhh, the end. just thought i'd end this ridiculously long blog with the prettiest sunset i've seen here. it's from a few weeks ago, but i've yet to see another so pretty.
will promise to keep on track better, so as to not exhaust you with severely long blogs from now on. promise.
love ya. bye.
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